First Portrait of Louise
Bronze sculpture, 1932
Signed
Dimensions: 51 ×43 × 20.5cm
£24,500
Referenced and illustrated in Silber, Ref. 223 - In the portrait busts Epstein could freely explore the feminine mystique without ignoring either the individual personality or the unconventional beauty of his models. - Silber, pg.42.
Referenced in Black, pg.239 no.180.
Referenced with a full page illustration in Buckle, No. 299, pg.197 - The 'First Portrait of Louise', a bust, is most remarkable for the way the sculptor has caught her expression of melancholy brooding, as she chews over the cud of some problem in her mind.
Bronze sculpture, 1932
Signed
Dimensions: 51 ×43 × 20.5cm
£24,500
Referenced and illustrated in Silber, Ref. 223 - In the portrait busts Epstein could freely explore the feminine mystique without ignoring either the individual personality or the unconventional beauty of his models. - Silber, pg.42.
Referenced in Black, pg.239 no.180.
Referenced with a full page illustration in Buckle, No. 299, pg.197 - The 'First Portrait of Louise', a bust, is most remarkable for the way the sculptor has caught her expression of melancholy brooding, as she chews over the cud of some problem in her mind.
Bronze sculpture, 1932
Signed
Dimensions: 51 ×43 × 20.5cm
£24,500
Referenced and illustrated in Silber, Ref. 223 - In the portrait busts Epstein could freely explore the feminine mystique without ignoring either the individual personality or the unconventional beauty of his models. - Silber, pg.42.
Referenced in Black, pg.239 no.180.
Referenced with a full page illustration in Buckle, No. 299, pg.197 - The 'First Portrait of Louise', a bust, is most remarkable for the way the sculptor has caught her expression of melancholy brooding, as she chews over the cud of some problem in her mind.